On September 14, 2002, 69 years after the
death of Charles A. Tindley, who is often called a founding father of
American gospel music, a marble stone was placed in a community cemetery
in the suburban town of Collingdale, Pennsylvania, near Philadelphia.
The six-foot monument was placed at Tindley’s grave by a group of
pastors led by the Rev. Dr. William B. McClain, senior pastor of Tindley
Temple United Methodist Church, a major church in the City of Brotherly
Love. Charles Tindley was born near Berlin, Maryland, in July of 1851,
the son of a slave, Albert Tindley, and a freewoman, Hester Miller
Tindley. Hester passed away when Charles was only four, and a year later
he was separated from his father. When he became old enough to work, he
was hired out to work with slaves, although his status as “freeborn” was
recognized. Little did the people of Berlin realize that a theological
and musical giant was springing up in their midst.
God had placed within Tindley a desire to
excel, and by age seventeen he had taught himself to read and write. At
this young age he married Daisy Henry, who bore him eight children,
several of whom would later show some musical ability. The young Tindley
family moved to Philadelphia where Charles obtained a job as a hod
carrier, conveying mortar and other supplies to bricklayers. He later
became a custodian of the John Wesley Methodist Episcopal Church, a
church that was to play a major role in his life.
He attended night school for a time, and
because he felt called of God to preach, he enrolled in a correspondence
course from Boston School of Theology. Along with his other courses, he
studied New Testament Greek. He also found a Jewish rabbi in
Philadelphia who would tutor him in the study of Hebrew. In 1902, after
finishing his educational ventures and pastoring several churches in
Philadelphia, he became pastor of the church where he had served as
janitor 25 years earlier.
The church experienced rapid growth and
by 1906 had a congregation of five thousand members. Tindley was a tall,
imposing preacher of the gospel, whose sermons reflected his study and
attention to a quality ministry. He was an eloquent speaker who was
heard enthusiastically by people of all races. In the early 1920s, the
church, which by that time had ten thousand members, built a new
sanctuary that seated 3,200 worshipers. Over Tindley’s protest, the
congregation named the new church the Tindley Temple United Methodist
Church. Tindley also became a leader within the denomination. His wife,
Daisy, passed away in 1924, the very day the congregation entered the
new sanctuary for the first time. Three years later, Tindley remarried.
Music played a major role throughout
Charles Tindley’s life. It is said that during his preaching he would
often break into song, allowing the congregation to join him on the
chorus. He composed gospel songs in his mind, and not having the ability
to put them on paper, would dictate them to a transcriber. Often he
would hold several songs in his mind before having them put on paper.
C. Austin Miles, who composed “In the
Garden,” published eight of Tindley’s songs in his New Songs of the
Gospel in 1901. Over the next twenty-five years, Tindley himself
published thirty-four additional songs. A later book, Soul Echoes: A
Collection of Songs for Religious Meetings, contained many of his
musical offerings. Tindley and his sons formed the Paradise Publishing
Company, which first published New Songs of Paradise! volume 1. Volume 6
of the series contained all of Tindley’s works.
“We’ll Understand It Better By and By” is
one of several C. A. Tindley songs that found their way into the hymnals
and then into the repertoire of a host of Southern Gospel Music touring
groups. It is still being sung to this day. A host of musicians owe a
debt to Charles Tindley—including, by his own admission, Thomas A.
Dorsey, author of “Precious Lord, Take My Hand.” Many have called
Tindley and Dorsey the fathers of gospel music. Other Tindley songs that
have stood the test of time include “Nothing Between (My Soul and the
Savior),” “Stand by Me,” and “Leave It There.” One Tindley song, “I’ll
Overcome Some Day,” written in 1901, gave rise to the popular civil
rights song “We Shall Overcome,” although more in reflection and concept
than in actual words or tune.
Dr. McClain, professor of preaching and
worship at Wesley Theological Seminary in Washington, D.C., has helped
disseminate the music of C. A. Tindley. In 1980, he created Songs of
Zion, published by Abingdon Press, which included approximately sixteen
songs by Tindley, and sold more than 1.2 million copies.
Tindley died in 1933, at the age of 82.
Thousands in Philadelphia felt the loss and went into mourning. It is
reported that approximately 5,000 people crowded into the church, which
seated only thirty-two hundred, to hear the memorial tributes to this
spiritual giant. Some had openly recognized him as a “Lincoln in Ebony.”
When thumbing through various hymnals,
you will often find, among other songs by Charles A. Tindley, “We’ll
Understand It Better By and By”:
We are often tossed and driv’n
on the restless sea of time,
Sombre skies and howling tempest oft succeed a bright sunshine,
In the land of perfect day, when the mists have rolled away,
We will understand it better by and by.
Chorus:
By and by when the morning comes,
When the saints of God are gathered home,
We’ll tell the story how we’ve overcome,
For we’ll understand it better by and by.
Trials dark on every hand, and we cannot understand,
All the ways that God would lead us to that blessed promised land,
But He’ll guide us with His eye and we’ll follow till we die,
For we’ll understand it better by and by.
Tindley Temple United Methodist Church is
on the “tour of historic sites” in Philadelphia, allowing many visitors
each year to see the famed edifice. Tindley’s study is still intact with
memorabilia and displays of his writings, books, programs, and
correspondence.
Reflection
Tindley seemed to write for suffering
people. In most of his songs there is a great anticipation of heaven,
when the trials of God’s people will finally be over. He could have been
writing for millions of people in our day and age.
Taken from Stories Behind
50 Southern Gospel Favorites © 2005 by Lindsay
Terry. Published by Kregel Publications, Grand Rapids, MI. Used by
permission of the publisher. All rights reserved.